备注:第12集
类型:电视剧
主演:维亚切斯拉夫·吉洪诺夫,Yefim,Kopelyan,列昂尼德·布罗涅沃伊,叶卡捷琳娜·格拉多娃,罗斯季斯拉夫·普利亚特,奥列格·塔巴科夫,尼古拉·普罗科波维奇,Yuri,Vizbor,Mikhail,Zharkovsky,列昂尼德·库拉夫廖夫,Wilhelm,Burmeier,瓦西里·兰诺沃依,Konstantin,Zheldin
导演:塔季亚娜·利奥兹诺娃
地区:苏联
年代:1973
简介:《春天的17个瞬间》描写了1945年的春天,潜伏在德国帝国保安局第6处20年之久的苏军侦察员施季里茨突然接到总部指示,要他设法查清德国党卫军高级军官与美、英单独媾和的情况,并查清与西方谈判的神秘人物是谁。在联络电台遭破坏、报务员被炸身亡、无法与上级再次联系的情况下,施季里茨冒着被敌人怀疑、监视的危险,经过17天惊心动魄的斗智斗勇,终于得到了德国党卫队参谋长沃尔夫与美、英司令部代表在瑞士伯尔尼秘密谈和的情报,使苏联政府及时揭露了敌人的阴谋。就在他即将凯旋与分别20年的妻子团聚时,上级却希望他继续潜伏……《春天的17个瞬间》被人们誉为“非凡的影片,它甚至使那些惯于吹毛求疵地把影片同历史进行对照的人,也不由得倾倒于影片的魅力。”编导出色地把纪实手法与艺术虚构融合在一起。影片的故事情节以施季里茨调查法西斯上层人物与西方秘密谈判媾和为核心,却又以他与德国党卫军的周旋以及党卫军内部的斗争为线索,剥丝抽茧、层层推进,全片不见“历史瞬间”的快速闪过,而是以慢节奏细腻展现主人公的斗争历程,使纪实性、戏剧性、历史性得以完美统一。施季里茨是全剧着力塑造的英雄人物,他富有斗争经验、充满智慧,有着坚定的信仰和不畏艰险、视死如归的革命英雄主义精神,因而能在敌营中一次次完成总部交给的任务。著名演员吉洪诺夫在该片中的表演沉稳、干练、富有内在的激情,具有强烈的历史感和时代气息。同时,导演还运用闪回、内心独白和细微的动作刻画人物复杂的内心世界,片中施季里茨与分别10年之久的妻子在咖啡馆里秘密会面时,为了不被敌人察觉,他们佯装成陌生人,隔桌遥相对视,在20分钟里一言不发,完全靠眼睛这扇“心灵的窗户”将人物内心强忍的离别痛苦和无限思念之情表达出来。由于《春天的17个瞬间》在艺术上取得的突出成就,该片编剧、导演、摄影、美术以及主要演员吉洪诺夫、波罗涅沃依集体荣获1974年俄罗斯联邦国家奖金。
备注:HD中字
类型:电影
主演:叶莲娜·利亚多娃,弗拉季米尔·弗多维琴科夫,Evgeniy,Tsyganov,安娜·乌克洛娃,罗扎·哈伊鲁林娜,Mikhail,Safronov,Sevastian,Bugaev,Konstantin,Topolaga
导演:Olga,Gorodetskaya
地区:俄罗斯
年代:2019
简介:在儿子离奇失踪四年后,一对夫妇决定收养一名小男孩,这名小男孩刚从一间因火灾而烧毁的孤儿院中幸存。随着男孩渐长,越发神似他们失去的儿子,个性也变得诡异与暴戾,甚至开始攻击同龄小孩。尽管母亲认为这名男孩就是他们失去的儿子,但父亲深信儿子早已死去。 母亲再度怀孕,兴奋地准备迎接新生儿,被领养的男孩感觉自己遭受冷落,便开始攻击尚未出世的孩子。另方面,父亲意外发现原来当初让孤儿院深陷危机的人就是这名男孩。 ...
备注:HD中字
类型:电影
主演:杰瑞米·雷乃,露易丝·莫诺特,布鲁诺·托德契尼,尼古拉斯·高布,夏洛特·德·特汉姆,Michel,Jonasz,弗兰南·欧比,米罗斯拉夫·科塞夫,Irinei,Konstantinov,尼古拉·乌鲁莫夫,朱利安·维戈夫,梅格莱娜·卡拉兰博娃
导演:克里斯蒂安·富尔
地区:法国
年代:2005
简介:“我不在乎你是否完全属于我……只要我爱的人一直在我身旁,即使他爱的是别人。” 1942年巴黎,Jean(杰瑞米·雷乃 Jérémie Renier 饰)和Philippe(布鲁诺·托德契尼 Bruno Todeschini 饰)这两位青年同志恋人冒着生命危险,庇护一个孩童时的犹太朋友-Sarah Yvonne(露易丝·莫诺特 Louise Monot 饰),她的家人都被盖世太保杀害了。他们三人挣扎求存,在这个没有怜悯的社会组成一个临时家庭。Jean的不肖兄弟Jacques(尼古拉斯·高布 Nicolas Gob 饰)是个盖世太保的走狗,他出现后,他们三人的关系受到威胁。当Jean的同志身份被暴露,并且被指控与一名纳粹分子有染之时,一场悲剧正在徐徐展开……
备注:HD中字
类型:电影
主演:Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev
导演:谢尔盖·爱森斯坦,格里高利·亚历山德罗夫
地区:其它
年代:1929
简介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
备注:HD
类型:电影
主演:Stamatis,Baknis,阿珈特·波尼茨,Eleni,Chalastani,Miriam,Jakob,Konstantinos,Lainas,阿廖沙·施耐德,玛丽萨·特里安德菲里都,Argyris,Xafis
导演:安格拉·夏娜莱克
地区:德国,法国,希腊,塞尔维亚
年代:2023
简介:“柏林学派”奠基人、电影大师安格拉·夏娜莱克自编自导的新作,改编自古希腊三大悲剧之一的《俄狄浦斯王》,将故事搬至现代,讲述一名弃子在年少时失手杀人,在狱中服刑时与一女子相爱并生下一女,而他逐渐失明。夏娜莱克试图抹去过于戏剧性的冲突,将这一众人皆知的故事推向抽象主义极致,通过罕有的台词对白和浓雾弥漫的欧洲偏远景致拉开现代神话的序幕,采用巴洛克风格的曲目、歌剧、当代独立音乐作为叙事推手,为悲剧的宿命蒙上一层虚无主义神秘感。荣获2023年柏林国际电影节最佳剧本银熊奖。