备注:HD中字
类型:电影
主演:河野由佳,井上孝幸,前田爱,大塚宁宁,丰川悦司,梅津荣,三东康太郎,铃木夕佳,伊牟田麻矢,小泽象,土屋久美子,绯田康人,竹中直人,深浦加奈子
导演:松冈锭司
地区:日本
年代:1995
简介:坂本拓也(井上孝幸饰)上的本町小学附近有另一所小学,不知为何接连发生了小学生的连续杀人事件,消息传到本町小学,学生之间议论纷纷。 拓也的妹妹—夏美(前田爱饰)的班上同学,问钱仙凶手是谁,钱仙的回答是「花‧子」。小朋友们直觉想到“鬼娃娃花子”。“鬼娃娃的花子”是一个传说 住在厕所裏的幽灵,而根据钱仙的预言,下一个受害者正是夏美,并且“花子”明天就会现身…… 夏美立刻跑去拓也的班上,找拓也求助,没想到拓也不当一回事,把夏美赶回去。夏美只好和同学浩志一起回家,途中到一位非常漂亮的女孩,向他们问到本町小学的路。 这名美少女叫作水野芽子(河野由佳饰)。第二天刚好转学进入拓也的班上,成绩优秀的芽子,不久在班上即大受欢迎,有一次,芽子被班上的加奈子与小绿撞见从谣传的“花子”出现的厕所裏出来,从此竟被同学们怀疑是“花子”,只有拓也一直护着她。 在这之后,有一天,拓也与芽子一起打扫饲养著山羊的小屋。在拓也为了拿学级日志到离开到职员办公室时,加奈子和小绿正好在走廊。突然她们看到眼前出现一大片血迹,吓得拔腿就跑,没想到混身是血,拿着镰刀的芽子,就站在前面……
备注:HD中字
类型:电影
主演:安贾妮特·科默,露丝·罗曼,玛丽亚娜·希尔,苏珊娜·泽诺,托德·安德鲁斯,迈克尔·帕塔奇,Beatrice,Manley,Erin,O'Reilly,Don,Mallon,Joseph,Bernard,弗吉尼亚·文森特,大卫·穆尼
导演:泰德·珀斯特
地区:美国
年代:1973
简介:A social worker, still reeling from the loss of her architect husband, investigates the eccentric, psychedelic Wadsworth Family, consisting of a mother, two daughters, and an adult son with the apparent mental capacity of an infant.
备注:HD中字
类型:电影
主演:扬·特日斯卡,帕沃·里斯卡,安娜·盖伊斯洛娃,马丁·胡巴,雅洛斯拉夫·杜谢克,Pavel,Nový,斯塔诺·丹恰克,Jirí,Krytinár,Katerina,Ruzicková,Iva,Littmanová,Katerina,Valachová,Josef,Kaspar,Miroslav,Navrátil,Jirí,Maria,Sieber,Ctirad,Götz,Josef,Polásek,
导演:杨·史云梅耶
地区:其它
年代:2005
简介:备受梦魇折磨的年轻男子让·伯洛特(帕沃·里斯卡 Pavel Liska饰)反复做着同样一个梦境:两个恶魔闯进他的卧室,把他推进了疯人院。心力憔悴的伯洛特偶遇神秘侯爵马奎斯(杨·特里斯加 Jan Triska饰)。这个扬言要救治伯洛特的怪异侯爵,引诱伯洛特来到一间阴森恐怖的疯人院。黏着的空气,病态的疯人,黑暗之中穿插的“生肉表演”以及一系列令人作呕的放荡作为,让失魂落魄的伯洛特彻底崩溃了。当他从看似纯美的护士夏洛特(安娜·吉赛罗娃 Anna Geislerová饰)口中得知院长和侯爵的丑恶的面目时,这场炼狱般的噩梦才刚刚开始。 这部由捷克电影和动画大师杨·史云梅耶创作的超现实主义作品《梦魇疯人院》,荣获2005年皮尔森电影节最佳影片,2006年捷克金狮奖最佳艺术指导、海报设计等奖项,并代表捷克参加2007年奥斯卡最佳外语片的角逐。史云梅耶在开篇就警告世人,这是一部考验你视觉极限和挑战你心理极限的反美学的影片。他以此片向死亡美学大师爱伦·坡和色情作家萨德侯爵致敬。骇人的生肉与内脏,悚然的仪式与噩梦,一起构筑起了这座彻底癫狂病态的梦魇疯人院。
备注:HD中字
类型:电影
主演:比尔·哈琴斯,约瑟芬·斯坎迪,乔安娜·希雅,Brutius,Selby,Nicholas,Vince,Silvio,Pollio,Sean,James,Sutton,Matthew,T.,Reynolds,Kelly,Chen,Nella,Scott,Francesco,Roder,Alan,Cossettini,Daniele,Banovaz,Enrico,Clarin,Nathaniel,Je
导演:费德里科·斯卡吉亚里
地区:其它
年代:2019
简介:几位嬉皮士正在寻找乔,乔是70年代的老朋友,他似乎被困在时间里,从那以后再也没有一天过。通过忍者忍者,怪异的金属头,萨满祭司和古老的仪式,两人踏上了无回头的旅程。
备注:HD中字
类型:电影
主演:Suziey,Block,Clinton,Roper,Elledge,Sarah,Schoofs,迈克尔·巴伯托,艾比·沃森,Sarah,Zinsser,Rita,Habermann,Angeli,R.,Fitch,Susanna,Wagner,Janlyn,Williams,Christopher,Nally,Glenn,Nobel,Caleigh,Lily-Marie,Hutcheson,Da
导演:Dutch,Marich
地区:美国
年代:2019
简介:深入人心的心理恐惧。自从她的父母在她年轻的时候失踪以来,卡米尔就受到了创伤。现在,二十年后的今天,提起诉讼的条件已经成熟。还是?
备注:HD中字
类型:电影
主演:Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl
导演:Hanns,Walter,Kornblum
地区:其它
年代:1925
简介:Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.