备注:HD中字
类型:电影
主演:Mario,Lanza,Ann,Blyth,Dorothy,Kirsten,雅米拉·诺沃特娜,理查德·哈格曼,卡尔·本顿·里德,爱德华·弗朗茨
导演:Richard,Thorpe
地区:美国
年代:1951
简介:这部电影追溯了男高音恩里科·卡鲁索(1873-1921)的一生。他爱他的家乡那不勒斯的穆塞塔,然后是多萝西,一位大都会歌剧院赞助人的女儿。卡鲁索对两个女人的父亲来说都是不可接受的:对一个来说,因为他唱歌;对多萝西来说,因为他是个农民。对纽约的贵族来说,卡鲁索身材矮小,胸膛圆润,声音洪亮,情绪化,没有教养。他们的欣赏来得很慢。影片描述了卡鲁索的感叹:“男人没有声音,声音有男人”:他不能成为他想去的地方,因为他必须在别处唱歌,包括他母亲去世的那天。从头到尾,马里奥兰扎和来自大都会的明星们一起歌唱。
备注:HD中字
类型:电影
主演:Ib,Koch-Olsen
导演:卡尔·西奥多·德莱叶
地区:其它
年代:1947
简介:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
备注:HD中字
类型:电影
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
导演:马塞尔·卡尔内
地区:法国
年代:1958
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
备注:HD
类型:电影
主演:马提亚斯·施维赫夫,杰西卡·施瓦茨,弗洛里安·卢卡斯,Jan,Gregor,Kremp,毕碧安娜·贝格,卡罗·柳别克,Eva,Maria,Bayerwaltes,伊尔克努尔·博伊拉兹,奥利弗·布洛克,马库斯·卡尔文,Cornelius,Dane,Ismail,Deniz,Karin,Eisele,克里斯托夫·弗兰肯,约翰娜·加斯多夫
导演:德利克·荷斯曼
地区:德国
年代:2004
简介:忧郁的金发男孩“喀拉”(马蒂亚斯·施魏格霍费尔 Matthias Schweigh?fer饰)是名救死扶伤的专业救护人员。他善良敏感,总是独来独往。脸上那道醒目的疤痕,总是不可磨灭的提醒着喀拉七岁那年发生的严重车祸。车祸让喀拉失去了所有的亲人,也成为了他永久的伤痛。在救护工作中,他总是会为那些失之交臂的生命而自责悲痛,直到在一场意外的救援上遇见了名为“十一月”的孕妇(洁西卡·史瓦兹 Jessica Schwarz饰)。她总是在喀拉的梦境中出现,对他敞开温暖的怀抱。很快,两人相爱了,十一月让喀拉懂得了什么才是幸福。然而在把十一月送往医院生产的途中,不幸的命运却给了喀拉一个意想不到的结局。 由德国新锐导演德利克·荷斯曼执导的惊世之作《最后一次心动》,荣获巴伐利亚影展最佳新进男演员、最佳女主角双料演技大奖,并荣获台北电影节观众票选最佳影片等多项大奖。
备注:HD
类型:电影
主演:拉迪卡·艾普特,布米·佩德卡尔,伽罗·阿德瓦尼,维杰·卡沙尔,玛尼沙·柯伊拉拉,桑杰·卡普尔,Anjuman,Saxena,内尔·布法拉姆,杰德普.阿赫拉瓦迪,阿卡什·托萨尔,内哈·迪胡皮阿,Randeep,Jha,阿明·阿卜杜勒·奎德,Nikita,Dutta,阿布罗伊·辛格
导演:卓娅·阿赫塔尔,迪巴卡尔·班纳吉,卡伦·乔哈尔,阿努拉格·卡施亚普
地区:印度
年代:2018
简介:大学教授卡林迪尝试开放式关系,开始了自己的爱欲探索,先后与学生和同事约会,事情的发展却慢慢失去了控制。 苏妲受雇帮忙打扫阿吉特的单身公寓,他们之间有秘密的性关系,阿吉特的父母来小住,一户人家前来提亲,苏妲 看着两家人商议婚事,不禁暗自伤心。家庭主妇瑞娜,与丈夫的好友发生了长达三年的婚外情,丈夫开始怀疑瑞娜 背叛了他,瑞娜则向他说出自己在婚姻中的挫败感,并坦陈一切。女教师梅加本应沉浸在新婚的甜蜜中,却有自己 的苦恼,丈夫不解风情,只顾享受床笫之欢,不懂照顾她的需求,同时婆家不停催促她怀孕生子,她受同事瑞卡的 启发想到了办法,却闹出笑话。影片由四位导演执导的短片组成,从不同层面探讨了印度电影中鲜少触及以女性为 主的爱欲题材,刻画了丰富生动的女性形象。