备注:HD
类型:电影
主演:Angelo Kern,Joanne Zimbler,Alexandra Dayka
导演:Blake Douglas,Ethan Gomez Zahnley,Lenny Ibarra,Gory Cory McCullough,Jack McDermott,Ryan Ranc
地区:美国,英国
年代:2024
简介:After his four siblings mysteriously die in their first weeks of college, a paranoid freshman must put his fears aside when a masked killer picks him as her next victim.
备注:高清
类型:电影
主演:Angelo Kern,Joanne Zimbler,Alexandra Dayka
导演:Blake Douglas,Ethan Gomez Zahnley,Lenny Ibarra,Gory Cory McCullough,Jack McDermott,Ryan Ranc
地区:美国 / 英国
年代:2024
简介:After his four siblings mysteriously die in their first weeks of college, a paranoid freshman must put his fears aside when a masked killer picks him as her next victim.
备注:全10集
类型:电视剧
主演:克里斯汀·贝尔,亚当·布罗迪,贾斯汀·卢佩,蒂莫西·西蒙斯,雪莉·可拉,埃米莉·阿尔卢克,斯蒂芬·施耐德,苏珊·艾尔,Elise Gallup,Jolie Natalia Handler,Mariel Martinez,Eric Satterberg,Ash Kahn,阿尔·卡拉贝洛,Peter Lawrence Singer,Caitlyn Knisely,Polly Kreisman,Made
导演:艾琳·福斯特
地区:美国
年代:2024
简介:一名不可知论者性/爱/播/客/主/播/与一名刚刚恢复单身的拉比坠入爱河。然而,面对迥然不同的生活方式和爱管闲事的家人,两人的恋情能否经受住考验?
备注:高清
类型:电影
主演:安雅·泰勒-乔伊,克里斯·海姆斯沃斯,汤姆·伯克,艾莉拉·布朗,George Shevtsov,拉黑·休姆,约翰·霍华德,安格斯·桑普森,查理·弗雷泽,埃尔莎·帕塔奇,内森·琼斯,乔什·赫尔曼,大卫·菲尔德,Rahel Romahn,戴维·科林斯,戈兰·D·克鲁特,CJ·布隆菲尔德,马图斯,伊恩·罗伯茨,Guy Spence
导演:乔治·米勒
地区:澳大利亚 / 美国
年代:2024
简介:影片讲述了复仇女神弗瑞奥萨(安雅·泰勒-乔伊 Anya Taylor-Joy 饰)惊心动魄的成长史。年轻的弗瑞奥萨从原本的家园被掠走,落入军阀狄门特斯(克里斯·海姆斯沃斯 Chris Hemsworth 饰)领导的帮派手中,在穿过荒原时,他们来到不死老乔(拉黑·休姆 Lachy H ulme 饰)所掌管的堡垒。在两位暴君争夺统治地位的同时,弗瑞奥萨必须在重重考验中活下来,并想方设法寻找回家的路;她也逐渐成长为利落酷飒的狂暴女神。
备注:HD中字
类型:电影
主演:丽贝卡·豪尔,蒂姆·罗斯,格蕾丝·考夫曼,迈克尔·埃斯佩尔,Angela,Wong,Carbone,Josh,Drennen,罗丝玛丽·霍华德,Winsome,Brown,Jaime,Zevallos,Owen,Johnson,Jackson,Finnegan,Zarra,Kaahn,Mick,Coleman,帕特里克·克莱因,Bradley,Lewis
导演:安德鲁·山姆斯
地区:美国
年代:2022
简介:讲述玛格丽特(豪尔)过着成功而有序的生活,完美地平衡了她繁忙的事业和作为单身母亲对极度独立的女儿艾比的照顾。直到大卫(罗斯)出现,她的过去开始困扰她,精心计划的生活发生了更黑暗的转变,玛格丽特不得不直面她逃避了20年的怪物,来终结他们之间的恩怨。
备注:HD中字
类型:电影
主演:Marshall,Thompson,Shirley,Patterson,Kim,Spalding
导演:Edward,L.,Cahn
地区:美国
年代:1958
简介:Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.