备注:已完结
类型:动漫
主演:梅根·希尔提,布兰达·宋,杰森·多雷,蒂芙妮·桑顿,赞达亚,梅·惠特曼,刘玉玲,雷文-西蒙尼,安吉拉·巴蒂斯,帕梅拉·阿德龙,杰夫·贝内特,罗伯·鲍森,简·霍洛克斯,凯瑞·华格伦,杰西卡·迪西可,杰西·麦卡尼,丹·柯蒂斯·李,安杰丽卡·休斯顿
导演:布拉德利·雷蒙德
地区:美国
年代:2011
简介:迪士尼于2008年开始推出《奇妙仙子》系列作品,首先计划推出的四部作品刚好分别就是春夏秋冬四季的故事,后来迪士尼决定继续延续此一系列,第五部作品的计划就此展开。后来迪士尼甚至决定将这部《奇妙仙子》系列作品首度尝试以TV电影首播的方式推出,因此本片推出问世的时间甚至还早于较早计划的冬天故事。而且,据说本片也会制作成3D立体版本,于发行蓝光影音产品时推出。 在本片的故事中,四年一度的闰年到来,小精灵谷的仙子们每逢闰年会举办一场跨越季节的大竞赛,小精灵谷的仙子们使出浑身解数,为了争取最高的荣耀而一较高下!
备注:OVA02
类型:动漫
主演:梶裕贵,三泽纱千香,丰崎爱生,浅沼晋太郎,户松遥
导演:内详
地区:日本
年代:2012
简介:电视动画《加速世界》改编自日本轻小说家川原砾原作的同名轻小说。在2011年10月2日举办的“电撃文库 秋之祭典2011”活动上,发表了《加速世界》TV动画化的消息 。电视动画于2012年4月6日开始播放,全24话。电视动画的现实舞台是在东京都高圆寺站和神奈川县横浜市MM 21地区。 在游戏《加速世界 Stage01 -银翼的觉醒-》(2012年9月13日发售)及《加速世界 Stage www .iav5.com 02 -加速的顶点-》(2013年1月31日发售)的初回限定版则内附了OVA动画,PS3版内附BD版,PSP则内附DVD版。
备注:HD中字
类型:电影
主演:阿曼达·泰平,理查德·哈蒙,弗兰克·C·特纳,Philip,Granger,Keilani,Elizabeth,Rose,Catherine,Jack
导演:Jon,Silverberg
地区:加拿大
年代:2018
简介:Set in 1989, Jake (Harmon), an out-of-work photojournalist who struggles with addiction and a troubled past, takes a job as watchman of a wilderness lodge on a remote island in the Pacific Northwest, alongside veteran handyman Sparky (Granger). Jake sets up a darkroom to develop the photos he shoots, which begin to reveal disturbing premonitions of their future.
备注:HD中字
类型:电影
主演:埃里卡·韦塞尔斯,Petronella,Tshuma,亚当·克罗斯代尔,Duane,Behrens,Lamar,Bonhomme,Garth,Breytenbach,Antony,Coleman,Jose,Domingos,Lebohang,Elephant,Angelique,Gerber,Lazola,Gola,Jason,Goliath,Denel,Honeyball,Clare,Marsh
导演:Judy,Naidoo
地区:其它
年代:2016
简介:An ambitious lawyer kills her gardener by mistake, fearing her chances with the law and the impact this will have on her career at a prestigious firm, she turns to her best friend to help her get rid of the body.
备注:HD中字
类型:电影
主演:Anna,Neagle,Anton,Walbrook,C.,Aubrey,Smith,Walter,Rilla
导演:Herbert,Wilcox
地区:英国
年代:1938
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor