备注:HD中字
类型:电影
主演:汤姆·汉克斯,伊丽莎白·帕金斯,罗伯特·劳吉亚,约翰·赫德,杰瑞德·拉什顿,大卫·莫斯科,乔恩·拉威茨,梅塞迪丝·鲁尔,乔什·克拉克,Oliver,Block,艾伦·沃瑟曼,Mark,Ballou,Gary,Howard,Klar,罗基茨·雷德格拉尔,杰姆·蒂尼,保罗·赫尔曼,南希吉尔斯,达娜·卡明斯基,哈维-米勒,特雷西赖纳,詹姆斯·埃克豪斯,Linda,Gillen,Bert,Goldstei
导演:潘妮·马歇尔
地区:美国
年代:1988
简介:12岁的乔什(汤姆·汉克斯 Tom Hanks 饰)似乎对自己的年龄有些意见:个子太矮而无法坐绕环滑车,年纪太小追不到心仪女孩……于是他向游乐场里的一个古旧许愿机投了25美分,许愿变成一个大人。不料第二天起床,乔什竟发现自己一夜之间长大了近20岁,现在他是一个不折不扣的大人了,连母亲都认为他是绑架儿子的陌生人而将他赶了出去。乔什只好自谋生计,在一家玩具公司找到了职位。在一次偶然的机会,乔什孩子般的天真与热情给玩具公司老板留下了深刻印象,他的点子也使他在工作中频获嘉奖,很快住进了宽敞的公寓,并与年轻同事苏珊(伊丽莎白·帕金斯 Elizabeth Perkins 饰)展开了浪漫恋情。然而随着工作、生活、爱情这些成人世界的压力开始向乔什逼近,乔什那颗刚满13岁的心渐渐感到困倦失落,他开始回想,这是否就是自己想要的成长…… 本片曾获提名奥斯卡最佳男主角及最佳原创剧本。
备注:HD中字
类型:电影
主演:迈克尔·加·怀特,奎顿·杰克逊,汤姆·贝伦杰,维多利亚·普拉特,兰迪·韦恩,Chosen,Jacobs,Gillian,White,帕特里克·基尔帕特里克,Toktam,Aboozary,Robert,Capelli,Jr.
导演:斯科特·温德豪泽
地区:美国
年代:2017
简介:一家银行遭到了劫持,一个吸毒成性的谈判专家迈克尔·约翰逊(迈克尔·加·怀特 Michael Jai White 饰)负责谈判,而绑匪正是他的哥哥(奎顿·杰克逊 Quinton 'Rampage' Jackson 饰)。他无心谈判,一心想要逃走并且在此过程中也不断的羞辱着迈克尔。 一时间,两人玩起了警匪之间的猫鼠游戏……
备注:HD中字
类型:电影
主演:玛丽安娜·德尼库尔,娜塔莉·理查德,洛朗斯·科特,安娜·卡里娜,布鲁诺·托德契尼,安德烈·马尔孔,Wilfred,Benaïche,Marcel,Bozonnet,Philippe,Dormoy,Enzo,Enzo,Pierre,Lacan,Stéphanie,Schwartzbrod,Christine,Vézinet,拉斯洛·绍博,Alain,Rigout
导演:雅克·里维特
地区:法国
年代:1995
简介:The film follows the story of three girls in contemporary Paris. One searches for her lost mother since she knows she's adopted. The other has come out of a coma and needs to have a love relationship aside from his mysterious father. The third one is a crook who redeems herself through love. The action is commented by songs and dance routines.
备注:HD中字
类型:电影
主演:Gila,Almagor
导演:Gilberto,Tofano
地区:其它
年代:1969
简介:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.