备注:HD中字
类型:电影
主演:塞西莉亚·苏亚雷斯,Enrique,Arreola,Magali,Boysselle
导演:埃内斯托·孔特雷拉斯
地区:其它
年代:2007
简介:玛丽娜(塞西莉亚·苏芮兹 Cecilia Suárez 饰)是一名在工厂里上班的女工,每天朝九晚五上班下班,生活风平浪静没有一丝波澜,偶尔她也会感到一丝寂寞,但这种惆怅的感觉很快又会被机械的工作抛之脑后。一次偶然中,玛丽娜抽奖抽到了一次双人海滨旅游的机会,这令玛丽娜陷入了沉思之中,因为她根本就不知道该邀请谁和她同行。 之后,在咖啡馆里,玛丽娜邂逅了名叫维克多(恩里克·阿莱奥拉 Enrique Arreola 饰)的男子,后者自称是玛丽娜的高中同学,虽然玛丽娜对他并没有太深刻的印象,但两人还是你来我往的约会起来。时机成熟之际,玛丽娜开口邀请维克多和她一起去海滨旅行,后者欣然应允。
备注:HD中字
类型:电影
主演:松田龙平,新井浩文,高冈奏辅,忍成修吾,塚本高史,永山瑛太
导演:丰田利晃
地区:日本
年代:2001
简介:男子高中——朝日高校,是一所不良少年云集的学校。这些正处在躁动青春期的男孩们仿佛看不到未来的方向,他们通过拳头征服对手,向顶点进发,以此证明着自己存在的意义。不过,这里的学生却发明了新的决定老大的方式:自认有实力的挑战者一字排开,站在顶楼露台的栏杆外,随着号令松开握着栏杆的手同时双手击掌,击掌次数最多且没有摔下楼的便可称为朝日高校的老大。 经过一番惊险角逐,三年级新生九条(松田龙平 饰)以8连击的佳绩成功问鼎。新学期伊始,九条以及青木(新井浩文 饰)、雪男(高岡蒼佑 饰)、木村(大柴裕介 饰)、吉村(忍成修吾 饰)等一众三年级学生开始经历理想向现实的残酷转变,他们自愿或被迫选择前进的方向,并为着残酷的青春付出血淋淋的代价…… 本片根据漫画家松本大洋同名短篇原著改编。
备注:HD中字
类型:电影
主演:Gun,Atthaphan,Poonsawas,抔米提·米弯投瓦兰,Duangjai,Hirunsri
导演:阿努查·本尼雅瓦塔纳
地区:泰国
年代:2015
简介:沉默寡言美少年Tam从性向到人格成长皆受压抑,在一所荒弃的泳池大宅相约Phum顿成恋人。看见他们天台依傍,以为是说好了的同志爱正在春光乍泄,导演般亚华坦拿实在精心部署,当Tam在垃圾场慌乱中自卫杀了持枪男人后,纵浪气氛急转弯至血泊恐怖,男孩从此看见血地狱,处处是黑影。他明明发现哥哥的尸体,转头就不见了,而床底下一滩血又是怎样来的?他或许不是甚么被欺凌者,是死亡使者才真。蓝色氛围下现实与心理罪与罚交缠,佛洛伊德中早闪现佛的黑色身影。
备注:HD中字
类型:电影
主演:堤真一,远山景织子,堀部圭亮,大杉涟,平泉成
导演:萨布
地区:日本
年代:1997
简介:泽木龙一(堤真一饰)是一名邮政投递员,每天重复着索然无味的机械工作。一日,他在工作中遇到了高中时代的同学野口。野口是黑社会的一员,他告诉龙一,这样的生活为自己带来心跳的感觉。龙一回到家中,野口的话让他难以释怀,他趁着醉意拆阅了他人的信件。其中有一封信是寄给因患癌症而住院的女孩小夜子(远山景织子饰)。次日,龙一前往医院探察,对小夜子一见钟情,并在医院里结识了正在等待全国杀手大赛选拔通知的杀手(大杉涟饰)。不久于人世的小夜子与龙一相约外出散心,幸福开心。但是警察们早已盯上了龙一,并认为他是个罪犯。阴差阳错的故事会如何收尾呢?
备注:HD中字
类型:电影
主演:松田优作,内田裕也,田中浩二,边见麻里
导演:工藤荣一
地区:日本
年代:1981
简介:横浜に住むBJは、毎晩場末のうらぶれたバーで歌っているブルースシンガー。だが歌だけでは食えない状態で、生活のために私立探偵紛いな副業でセコイ小銭を稼いでいる。そんなある日、失踪した少年・明の行方調査を依頼されたBJ。所在を見つけたものの、彼は闇組織のボスでゲイの牛宅麻の男娼となっていた。次の日、BJは久々に再会したニューヨーク時代の親友で刑事の椋を目の前で突然殺され、その上BJを何故か快く思っていなかった椋の同僚刑事・紅谷から殺人容疑をかけられて、取り調べと称したリンチを受ける。更に牛からも麻薬取引で運営している組織のメカニズムに触れたと見なされて命を狙われ、BJは窮地に陥るが……。
备注:HD中字
类型:电影
主演:帕斯卡尔·普缇,安德丽·帕里西,雅克·夏里尔,洛朗·特兹弗,让-保罗·贝尔蒙多,达妮·萨瓦尔
导演:马塞尔·卡尔内
地区:法国
年代:1958
简介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.