备注:超清
类型:电影
主演:比利·克里斯托 本·施瓦茨 艾洛斯·慕福特 Grace Gummer 内森·科德里 吉尔·亨内斯 凯特琳·麦基 大卫·卡斯塔尼达 Leonard Ouzts John Behlmann Kevin Dunn Wade Allain-Marcus Kate Arrington
导演:Matt Ratner
地区:美国
年代:2019
简介:比利·克里斯托、本·施瓦茨(《谎言屋》)加盟喜剧片[我们都不满意](We Are Unsatisfied,暂译)。马特·拉特纳([我的初恋女孩]制片)首执导筒。一个加州喜剧演员(施瓦茨饰)回到老家长岛后与他的酒鬼皮肤科医生(克里斯托饰)不打....
备注:HD
类型:电影
主演:雷·怀斯,凯文·盖奇,达纳·梅兰妮,Kayla Carlyle,弗农·威尔斯,Jack Forcinito,Sofia Mattsson,罗伯特·拉萨多,Benjamin Easterday,Kelcey Watson,莫妮卡·派伦,Timothy Muskatell,Vanessa V. Johnston,Jimmy Williams,Robert Michael Anderson
导演:Sean Cain
地区:美国
年代:2013
简介:Prehistoric animals emerge from a science lab and tear up most of Los Angeles.
备注:超清
类型:电影
主演:胡丽叶塔·泽尔贝伯格,瓦莱里娅·洛伊丝,米涅娜·帕斯夸尔,Carlos Portaluppi,Daniel Katz
导演:安娜·卡兹
地区:阿根廷
年代:2021
简介:賽巴斯,三十歲單身漢,有一隻八歲的愛犬相伴。只要他不在,狗狗就會頻頻哀鳴,引起鄰居抱怨,他只好帶著狗去上班,卻因此被公司開除,只能靠打零工度日,過著流浪犬般的人生。當神祕隕石撞擊地球,空氣被污染,離地一百二十公分以上的人,得要靠呼吸器才能行走。幸好賽巴斯早就超前部署,「魯」到沒在怕!他的魯蛇人生會因此而有所轉機嗎? 阿根廷導演安娜卡茲繼2007年成名作品《分手假期》後,再次以精準的影像語言、絕妙的台詞設計,施展冷調黑色幽默,結合末日感軟科幻,在黑白的荒唐人生中提煉一絲安慰。長達三年的拍攝期,正好遇上全球疫情,導演靈機一動,巧妙將大環境變動嵌入這則描繪青年無力感的哀歌,意外讓本片成為一則饒富深意的末世寓言。
备注:超清720P
类型:电影
主演:Sean,Connery,Laurence,Fishburne,Kate,Capshaw,Blair,Underwood,肖恩·康纳利,劳伦斯·菲什伯恩,艾德·哈里斯,凯特·卡普肖
导演:艾恩葛里姆薜尔,(Arne,Glimcher)
地区:美国
年代:1995
简介:不打官司好多年的哈佛大学法律系知名教授Paul Armstrong(Sean Connery)这日收到一封鸣冤信:佛罗里达州一名女孩被人绑架谋杀,警方将黑人大学生Bobby(Blair Underwood)视作凶手,并在缉拿后严刑逼供令其签字画押,前途光明的年轻人只因是黑人变作死囚。Paul被信件打动,决定重出江湖为Bobby辩护。一番缜密调查,Paul找到足以还Bobby清白之躯的证据,但他没有想到,一切均系Bobby的精心策划,自己及家人才是他的真正目标。
备注:高清
类型:电影
主演:Katrina Grey,仁科贵,亚矢乃,Naho Nakashima,Butch,Nanako Ohata
导演:广濑贵士
地区:日本
年代:2018
简介:Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.