备注:HD中字
类型:电影
主演:查尔斯·布朗森,莉莎·埃尔巴赫,安德鲁,史蒂文斯,杰佛里·刘易斯,威尔福德·布利姆雷,罗伯特·F·莱昂斯
导演:J·李·汤普森
地区:美国
年代:1983
简介:八十年代的恐怖电影《处刑在午夜》(10 to Midnight)中,外表不佳却颇具性格气概的老电影人查尔斯·布朗森在片中饰演一个警探,逮捕到一位专门辣手摧花的杀人犯,苦于没有证据,老查不得已设法编造证据,想送他进大牢,不料被穿帮,凶手放出来后,决定对老查的女儿下手以实行报复。为什么老查根本找不到凶手的罪证呢,原来凶手每次行凶前必把自己的衣服脱光,你想找到任何沾有血迹的衣服、裤子、鞋子,都难如登天。于是,反一号男主角吉恩·戴维斯在片中有一半的戏份都要光着身子。《处刑在午夜》在裸露尺度的把握上,真正做到了“男女平等”,你脱我也脱,像吉恩·戴维斯这种可以走偶像路线的男星,接拍《处刑在午夜》实在得不偿失,别说必须时不时的衣不蔽体,角色形象也负面到极点,从片子的票房来看,他也真是白忙了一场。可能从一开始,吸引他的只是赫赫有名的曾导过黑白原版《恐怖角》(Cape Fear)与《纳瓦隆大炮》(The Guns of Navarone)的大导演J·李·汤普森吧,可惜人有失手马有失蹄,这一回他可是脱得很没价值呐!
备注:HD中字
类型:电影
主演:理查德·张伯伦,麦克尔·约克,奥列佛·里德,拉蔻儿·薇芝,弗兰克·芬莱,克里斯托弗·李,杰拉丁·卓别林,让-皮埃尔·卡塞尔,斯派克·米利甘,罗伊·金尼尔,乔治·威尔森,西蒙·沃德,费·唐纳薇,查尔顿·赫斯顿,乔斯·雅克兰德
导演:理查德·莱斯特
地区:美国
年代:1973
简介:故事发生在17世纪的法国,红衣教主黎塞留(查尔登·海斯顿 Charlton Heston 饰)想要谋权篡位,设下重重阴谋诡计。达达尼昂(麦克尔·约克 Michael York 饰)一心想要报效祖国,于是远赴巴黎想要加入火枪队。在此过程中,达达尼昂结识了阿多斯(奥列佛·里德 Oliver Reed 饰)、波尔多斯(弗兰克·芬莱 Frank Finlay 饰)和阿拉密斯(理查德·查伯兰 Richard Chamberlain 饰),四人不打不相识,成为莫逆之交。 一次偶然中,达达尼昂得知了黎塞留的阴谋,为了斩草除根,黎塞留设计令达达尼昂被判处了死刑,所幸得到了三名火枪手的救助,达达尼昂才捡回了小命。之后,四人将国王从刺客的枪口之下救出,并向绑架了国王和王后的黎塞留宣战。
备注:HD中字
类型:电影
主演:安·谢里登,罗伯特·卡明斯,罗纳德·里根,贝蒂·菲尔德,查尔斯·科本,克劳德·雷恩斯,朱迪丝·安德森,南茜·科曼,Kaaren,Verne,玛丽亚·彭斯卡娅,哈里·达文波特,欧内斯特·科萨特,Ilka,Grüning,Pat,Moriarity,迈纳·沃森
导演:Sam,Wood
地区:美国
年代:1942
简介:帕里斯(罗伯特·卡明斯 Robert Cummings 饰)和德雷克(罗纳德·里根 Ronald Reagan 饰)是青梅竹马的玩伴,虽然他们的性格大相径庭,但两人之间的感情却非常的要好。帕里斯爱上了医生亚历山大(克劳德·雷恩斯 Claude Rains 饰)的女儿卡桑德拉(贝蒂·菲尔德 Betty Field 饰),然而,卡桑德拉却被严厉的父亲软禁在家中,十分的痛苦。 那边厢,个性轻浮的德雷克邂逅了名为路易斯(南茜·科曼 Nancy Coleman 饰)的女子,当德雷克前往路易斯家提亲时,他因为自己的风流韵事而遭到了路易斯家人们的拒绝。之后,德雷克又遇见了兰迪(安·谢里登 Ann Sheridan 饰),虽然兰迪出身于一个非常贫穷的家庭之中,但是两人还是很快就坠入了情网。
备注:HD中字
类型:电影
主演:芭芭拉·斯坦威克,阿道夫·门吉欧,威廉·霍尔登,李·科布,约瑟夫·卡利亚,山姆莱文,爱德华·布罗菲,Beatrice,Blinn,William,H.,Strauss,唐·贝多,查尔斯·霍尔顿,斯坦利·安德鲁斯,Gordon,Armitage,Earl,Askam,Al,Bain,Don,Brodie,Mushy,Callahan,Dora,Clement,Irving,Cohen,多萝西·康明戈
导演:鲁本·马莫利安
地区:美国
年代:1939
简介:电影讲述,乔波拿马拥有过人的音乐天赋,他的父亲希望他在这方面能有所建树,但乔自己却希望能成为一名拳击手。为此他说服濒临破产的拳击经纪人汤姆穆迪给他一个机会。在汤姆穆迪专业的指导下乔迅速上升,不久就成为著名拳手。但是“打假拳”的问题开始困扰乔,黄金男孩该何去何从呢。
备注:HD中字
类型:电影
主演:艾拉·娜兹莫娃
导演:查尔斯·布莱恩特,艾拉·娜兹莫娃
地区:美国
年代:1923
简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.