备注:HD中字
类型:电影
主演:亚娜·延扎耶娃,康斯坦丁·贝洛沙普卡,Ilya,Yermolov,Varvara,Borodina,伊戈尔·赫里普诺夫,萨比娜·阿赫梅多娃,Kristina,Marandy
导演:斯维亚托斯拉夫·波德加耶夫斯基
地区:俄罗斯
年代:2021
简介:Dark Spell is a story about the girl named Zhenya who suffers from being in love with her husband that has left her, so she decides to bring him back. Desperate heroine casts a spell called Black Wedding, which is a magical ritual known for its great power and irreversibility. After the ritual, her beloved husband comes back, although his love becomes more like an obsession he is even ready to kill Zhenya, so as not to give her to anyone. When the maddened husband dies, the spell does not stop because even death will not part those who were betrothed by the demon of black wedding.
备注:HD中字
类型:电影
主演:Davy,Raphaely,戴夫·谢里登,莎拉·弗伦奇,Doug,Henderson,Susan,Moses,Paul,Cottman,Wayne,Shearer,Tony,Barber,Lisa,Budwig,Leslie,Talley,Janae,Palmer,Aleksandra,Svetlichnaya,Christina,DiNicolo,Nic,Detorie,Sheri,Fairch
导演:B·哈里森·史密斯
地区:美国
年代:2020
简介:Jerry Harford认为老婆背着自己外遇,他最好的朋友鼓励他以眼还眼,但却导致不堪的恐怖后果。Jerry开始陷入一个没有终点的超自然恶梦,好似暗黑版的《致命的吸引力》(Fatal Attraction)。
备注:HD中字
类型:电影
主演:阿莉尔·凯贝尔,莎拉·卡特,斯蒂芬·迪兰,安德鲁·李·波兹,阿莱克斯·温德汉姆,凯蒂·麦克格雷斯,克里斯蒂娜·钟,马丁·康普斯顿,迈克尔·吉普森,玛安娜·本灵,科林·斯廷顿,Nick,Hardin,迈克尔·J·雷诺兹,Sarah,Wilson,阿特·帕金森
导演:帕蒂·布莱斯纳奇
地区:英国
年代:2008
简介:一群医学院实习医生某晚在医院附近酒吧玩乐时捉弄具有偷窥癖的医院清洁工肯尼斯(安德鲁-李•波茨 Andrew-Lee Potts 饰),并戏虐他为“疯狗”。被逼饮酒过量的肯尼斯癫痫发作昏厥,成为植物人,就要被终止治疗实施安乐死。倍感内疚的实习医生凯萨琳(阿莉尔•凯贝尔 Arielle Kebbel 饰)违反章程给肯尼斯注射了某种还在实验阶段的混合药物,试图让肯尼斯尽早苏醒,却没想到药物竟促成了肯尼斯灵魂出窍,附体到他人身上开始残忍的复仇行动。等到凯萨琳察觉出问题所在,却为时已晚,肯尼斯的灵魂早已脱离掌控,不管是陌生人还是朋友,甚至包括自己,凯萨琳还能相信谁?
备注:HD中字
类型:电影
主演:Kate,Lister,Marc,Ozall,贝基·弗莱彻,Thomas,Mailand,Sian,Crisp,Cassandra,French,克莱尔·玛丽亚·福克斯,Tiffany,Ellen,Solano,Denese,Ricketts,Louisa,Warren,Tommy,Vilés,Claudine-Helene,Aumord,Angela,Tinkler,乔安娜·希雅,姬丽·卡特·威
导演:Scott,Jeffrey
地区:英国
年代:2018
简介:Aspiring actress, Kia Anderson, is about to learn that the final callback for a horror Feature Film is something more than she could ever of imagined - Something sinister is awaiting for Kia.
备注:HD中字
类型:电影
主演:Anicée,Alvina,奥尔加·乔治斯-皮科,迈克尔·朗斯代尔
导演:阿兰·罗布-格里耶
地区:法国
年代:1974
简介:两个青年女子之间的表态性心理导致了其中一个被害,而凶手就是另外一位姑娘。此后,她便被囚禁一间修道院中。探长前来侦询,律师也前来调查案情。但探长并非在影片首尾出现的那个探长,律师又与被害者是同一个。所以,这桩凶杀案是否真的发生过,是否真的是这位杀手所为,都是不肯定的。需要由观众自行思考。本片是导演罗布一格里叶继《穿越欧洲的快车》后,自编自导的影片。也是他的第一部彩色影片。影片中的框架十分简单。 影片把当代的心理变态同修道院内中世纪的心理变态作了对比性描绘,从而强调问题的历史深度。但对所探讨的问题,作者并非表明自己的态度,只是客观的给予表现,在形式上,此片使用了纯化的手段,画面上的时空变得中性而抽象。对白很少,没有隐约,全凭画面,色彩和剪辑的视觉效果表达涵义。此片与《去年在马里昂巴德》有主题上的相似之处,但更少环境影响,更多接触及人的本性,因而更为抽象。在意向方面,此片与《穿越欧洲的快车》有些相像的地方,可以互为参考。把这部影片联系起来看,可以对阿兰·罗布一格里叶的思想和风格获得比较完成的了解。
备注:HD中字
类型:电影
主演:克里斯托弗·李,芭芭拉·谢莉,理查德·帕斯科,弗朗西斯·马修斯,苏珊·弗默,Dinsdale,Landen,勒妮·阿舍森,Derek,Francis,乔斯·雅克兰德,Robert,Duncan,阿兰·提尔文,约翰·威尔士,约翰·贝利,Mary,Barclay,Michael,Cadman,Helen,Christie,Maxwell,Craig,Marusa,Elias
导演:Don,Sharp
地区:英国
年代:1966
简介:The movie chronicles the events of history's man of mystery, Rasputin. Although not quite historically accurate and little emphasis is put on the politics of the day, Rasputin's rise to power and eventual assassination are depicted in an attempt to explain his extraordinary power and influence.
备注:HD中字
类型:电影
主演:Germán,Baudino,Nadia,Lozano,Héctor,Ostrofsky,Agustín,Recondo,Lucia,Arreche,Ivan,Ezquerré,Casper,Uncal,Luciano,Guglielmino,Hernán,Altamirano,Raúl,Omar,García,Mario,Lombard,Victoria,Reyes,Cristian,Salgu
导演:Cristian,Ponce
地区:其它
年代:2020
简介:最著名的电视新闻节目“午夜60分钟”的最后一次播出,今晚的主角是艾德里安·马卡托,他可能会揭露一个将政府与某个邪教联系起来的阴谋。。。
备注:HD中字
类型:电影
主演:Marshall,Thompson,Shirley,Patterson,Kim,Spalding
导演:Edward,L.,Cahn
地区:美国
年代:1958
简介:Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.