备注:第21-22集完结
类型:电视剧
主演:汤姆·威灵,克斯汀·克鲁克,迈克尔·罗森巴姆,艾莉森·麦克
导演:Kevin Fair,Glen Winter,Mairzee Almas,Jeannot Szwarc,James Marshall
地区:美国
年代:2010
简介:上一次我们见到ClarkKent的时候,他的胸口被蓝色的氪水晶刺中,从一栋高楼上掉了下去。Clark当然死不了!不然哪有「未来」的超人?「Kent老爸」本季会露上一面,超女(Sorry,不是那个「超女」)也会。不过,超女可能要杀Lois。Chloe本季只有五集戏份--在那之后,AllisonMack将离开该剧。不过不要紧,第10季本来就是该剧的最后一季。终于大结局了!虽然该剧没能打破《星际之门SG-1》创造的「美国最长科幻剧」的记录,但也平了这个记录。具有讽刺意味的是,正当剧组宣布将Chloe「扫地出门」时,漫画书版权商却宣布将这个《超人前传》原创的角色正式加入《超人》的官方体系,使之成为一个「合法」的《超人》角色。在新季首集中,Lois找到了失去知觉的Clark,从他胸口拔走了蓝色氪水晶,Clark开始自我治疗。但是在Clark清醒之前,Lois偷偷溜走了。为了寻找Oliver,Chloe不得不询问一些她本来不可能去问的人。Jonathan回到Kent农场,给Clark带来了一条消息。Tess在LuthorCorp公司的实验室里醒来。
备注:已完结
类型:动漫
主演:Tim,Curry,David,Oyelowo,Greg,Ellis,Taylor,Gray,Vanessa,Marshall,Matt,Sloan,詹森·艾萨克
导演:内详
地区:美国
年代:2014
简介:这部全新“星战”动画系列《星球大战:反叛军》的故事发生在介于《星战》第三章和第四章之间(摧毁最后的绝地武士的帝国反击战)的纪元。而《星球大战:克隆战争》动画系列片导演戴夫·费罗尼将出任这部全新动画系列的监制。片中的艺术概念则将采用曾为“星战”系列电影设计过经典角色和场景的 已故科幻大师拉尔夫·麦考瑞的作品。 《星球大战:反叛军》将延续星球大战冒险史诗的传统。这是银河系的黑暗时刻,邪恶的银河帝国以铁血统治占领了一个偏远的星球并行使种种破坏其人民生活的恶行,但有一群人勇敢地站起来反抗。这一群人将面临威胁恶棍的威胁,经历惊心动魄的冒险,而成为英雄。
备注:HD中字
类型:电影
主演:Marshall,Thompson,Shirley,Patterson,Kim,Spalding
导演:Edward,L.,Cahn
地区:美国
年代:1958
简介:Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.