备注:全6集
类型:电视剧
主演:Michael Salami,埃迪·马森,阿德拉约·阿德达约,Travis Jay,Destiny Viva,Ky-Mani Carty,Andy Thompson,科乔·阿塔,Sanchez Brown,Debra Baker,Akai Coleman,托辛·科尔,埃里克·科菲-阿布莱法,卡尔文·德姆巴,Giacomo Mancini,Shabana Haroon,雅丝敏·莫奈·普林斯,Josh
导演:Andrew Onwubolu
地区:英国
年代:2024
简介:SUPACELL is about a group of five ordinary people who unexpectedly develop superpowers. They have little in common except for one thing: they are all Black South Londoners. It is down to one man, Michael Lasaki, to bring them all together in order to save the woman he loves
备注:第130集
类型:动漫
主演:李康敏,埃里克·赛克斯,托亚·威尔考克斯,桑德拉·迪金森,约翰·施瓦布,鲁道夫·沃克尔,佩内洛普·凯兹,罗尔夫·萨克森,Nikky,Smedley,Amy,Scott,Tim,Whitnall,Jessica,Smith,Mark,Heenehan,John,Simmit,Robin,Stevens,Dave,Thompson,Simon,Shelton,Sarah,Wichall,Toni,Ba
导演:Vic,FinchDavid,Hiller
地区:英国
年代:1997
简介:《天线宝宝》(英语:Teletubbies),香港译《天线得得B》,是英国广播公司(BBC)与RagDoll公司制作的幼儿节目,发行于1997年到2001年,主要观众对象是一到四岁的儿童。讲述了丁丁、迪西、拉拉、波四个小伙伴的故事。 《天线宝宝》(英语:Teletubbies),香港译《天线得得B》,是英国广播公司(BBC)与RagDoll公司制作的幼儿节目,发行于1997年到2001年,主要观众对象是一到四岁的儿童。讲述了丁丁、迪西、拉拉、波四个小伙伴的故事。
备注:HD中字
类型:电影
主演:Marshall,Thompson,Shirley,Patterson,Kim,Spalding
导演:Edward,L.,Cahn
地区:美国
年代:1958
简介:Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
备注:HD中字
类型:电影
主演:汉娜·霍德森,安德烈·罗佑,罗茜·佩雷兹,荷砦尔古德曼,Coati,Mundi,兰内特·瓦雷,大卫·休里斯,凯莉·麦克唐纳,Jordan,Clarke,Jack,Thompson,Jake,Ritzema,玛丽亚·格拉齐亚·库奇诺塔,Ernesto,Mahieux,乔瓦尼·埃斯波西托,蒋雯丽,尤勇智
导演:吴宇森,埃米尔·库斯图里卡,斯派克·李,Kátia,Lund,乔丹·斯科特,梅迪·夏夫,斯特法诺·维内鲁索
地区:法国
年代:2005
简介:本片由由威尼斯电影节发起,并由联合国儿童基金会选定七位导演各自拍摄七部以儿童为主题的短片,旨在唤醒世人对儿童的关注和爱护。 《坦扎》梅迪·夏夫(Mehdi Charef) 非洲男孩坦扎的国家正陷入内战,他手执冰冷冷的枪战战兢兢度过每一天,他多么希望能回到安静的家乡和充满 阳光的课堂…… 《蓝色吉卜赛》埃米尔·库斯图里卡(Emir Kusturica) 吉普赛男孩乌洛斯(Uros Milovanovic 饰)即将走出少管所,但是大墙外的自由世界却看不到幸福的希望…… 《上帝保佑的美国孩子》斯派克·李(Spike Lee) 小女孩从父母那里感染了艾滋病,幼小的她该如何面对这一切? 《毕露和乔》卡迪亚·兰德(Kátia Lund) 毕露和乔是住在巴西贫民窟的两个好朋友,为了一双新球鞋,为了给家中多添一片瓦,他们拾废品换钱,永远保持乐观的精神…… 《乔纳森》雷德利·斯科特(Ridley Scott) 乔丹·斯科特(Jordan Scott) 战地记者经历无数人间惨剧,回到欧洲后他备受折磨,恍惚间他回到了自己的童年…… 《Ciro》斯蒂芬诺·维奈鲁索(Stefano Veneruso) 意大利那不勒斯,男孩光天化日之下偷盗抢劫,只为了…… 《欢欢和小猫》吴宇森 欢欢是个家庭富裕娇生惯养的小女孩,小猫则是被人抛弃然后由捡破烂的爷爷好心抚养长大的可怜孩子。一场灾祸,一个洋娃娃,将两个孩子的生活连在一起……
备注:HD中字
类型:电影
主演:约翰·浩克斯,米兰达·裘丽,Miles,Thompson,Carlie,Westerman,布拉德·威廉姆·亨克
导演:米兰达·裘丽
地区:美国
年代:2005
简介:婚姻失败的理查德(约翰•豪克斯 饰)与艺术家克里斯蒂娜(米兰达•朱莱 饰)被命运牵扯到了一起。尽管理查德因为婚姻的失败变得性格怪异,难以相处,另一方面儿子们的存在成为他努力生活的动力。克里斯蒂娜则有自己的艺术梦想,她是个前卫、天马行空的人,她希望自己的作品能被众人认同。两人的背景大相径庭,理查德还是被迷人的克里斯蒂娜深深吸引了,可是当他们走在一起后需要共同面对理查德的儿子们——14岁的彼得与7岁的罗比。这两名孩子都有着自己不为人知的一面,理查德极力了解自己的儿子们,成为儿子的榜样,但总是不得要领。 一重重复杂的人际关系,理查德与克里斯蒂娜将如何面对?