备注:HD中字
类型:电影
主演:彼得·冈萨雷斯·法尔孔,Fiona,Florence,Britta,Barnes,Pia,De,Doses,Marne,Maitland,Renato,Giovannoli,伊莉莎·马邑纳德蒂,Stefano,Mayore,Galliano,Sbarra,安娜·马尼亚尼,Ginette,Marcelle,Bron,戈尔·维达尔,Marie,Párová,Alfredo,Adami,Sbarra,A
导演:费德里科·费里尼
地区:其它
年代:1972
简介:这不是一部普通的纪录片,而是透过意大利电影大师费德里克.费里尼独特的艺术家眼光为罗马古都写出来的一篇个人回忆录。全片打破传统叙事手法,以现实与超现实场面交叉穿梭进行,渗入了大量的幻觉和回忆,充分表现出费德里克.费里尼个人对罗马的爱恋,也让观众看到了这个城市隐蔽着的另一面。男星彼得.龚扎莱斯在片中饰演年轻时代的费德里克.费里尼,而费德里克.费里尼则演出他自己,在片中可以看到马戏团对费氏作品根深蒂固的影响。也可以从中揣摩出费尼电影风格的一些基本特质,喜爱他的影迷不容错过。
备注:HD中字
类型:电影
主演:让·雷诺,梅塞迪丝·鲁尔,波利·沃克,马克·法兰科,特雷弗·皮科克,菲·雷普利,乔治·罗西,朱塞佩·塞德纳,罗伯托·德拉·卡萨,路易吉·迪贝尔蒂,雷纳托·斯卡帕,罗马诺·格希尼,保罗·穆勒
导演:保罗·韦兰德
地区:美国
年代:1997
简介:马赛洛(让·雷诺 Jean Reno 饰)是小镇上知名的好好先生,可命运待他却不厚道,在孩子去世之后,深爱的妻子也患上了不治之症。悲伤过后,马塞洛决定振作起来,他要完成妻子的遗愿——在死后能够葬在孩子的墓地旁边。可是土地珍贵,唯一的墓园里只剩下了三个空位,如何入驻成为了马塞洛目前所要面临的最大难题。 在诸多可以选择的道路面前,老实的马塞洛选择了最艰难的那一条,那就是避免小镇上的任何人赶在自己的妻子之前去世。为了保证小镇居民的生命安全,马塞洛可谓是用尽了十八般武艺,他就像救人于水火之中的超人,哪里有灾难,哪里就有他。幸运的是,在帮助他人的同时,马塞洛也得到了属于他的救赎。
备注:HD中字
类型:电影
主演:Judita,Frankovic,戈兰·波格丹,德扬·阿西莫维奇
导演:Vlatka,Vorkapic
地区:其它
年代:2012
简介:A comedy about two people with different world-views, from different places, whose fate, with the help from a bull Garonja (a name given to the black bulls in villages of Croatia), intertwine. Ante (Goran Bogdan) is a peasant from Dalmatian hinterland, a son of an bull fights organizer, and skilled insurance salesman. He is known by his powers of persuasion. At the voting for the Law for animal protection, biggest controversy is considering bull fights. Sonja (Judita Frankovic) is from Zagreb, an inveterate activist fighting for animal rights. In Dalmatian hinterland nobody can understand her attitude. They conclude that Sonja, regardless of the declared intense love of animals, would not dare stand in front of a bull. About Sonja and Anthony , the central pair who in his romantic comedy game going a little farther - a little back, a series of actions is carried out in the style of a wild untamed satire at the expense of local yellow media and important institutions such as the ...
备注:HD中字
类型:电影
主演:斯特法尼娅·桑德雷莉,马里奥·阿多夫,让-克洛德·布里亚利,约阿希姆·富克斯贝格,尼诺·曼弗雷迪,恩里科·玛丽亚·萨莱诺,乌戈·托尼亚齐,卡琳·多,佛朗哥·法布里齐,图里·费罗,罗伯特·霍夫曼,弗兰科·内罗,维罗尼卡·旺代勒,Franca,Polesello,雷纳托·泰拉
导演:安东尼奥·彼得兰杰利
地区:其它
年代:1965
简介:imdb Plot summary Born in a small town in the countryside surrounding Pistoia, Adriana is an attractive young girl who counts on using her looks to go places in the entertainment business in Rome. Moving to the capital, she works first of all in a hairdressing salon, then in a small cinema where she manages to get a job working in fancy dress. Meantime, she socializes with young men of the upper middle classes, who take her to parties and out on the town with the sole aim of taking advantage of her. Adriana knows their game, but plays along. In the meantime, she meets an agent called Cianfanna, a modest money-grubber who introduces her to a journalist friend of his so he can write an article on her. Having thus launched her career in advertising, Adriana decides to go home to visit her parents. Once home, however, she is distraught to learn of the death of her sister. Returning to Rome, she takes acting lessons, but during one lesson she suddenly faints she is pregnant, with no idea of who the father of her child is. The days go by and Adriana tries to forget about her pregnancy, while sleeping with an increasingly long list of lovers. And yet, despite the fact these encounters are often less than enjoyable, at one point she actually falls in love his name is Antonio and he's a decent young man from a respectable family, but still in love with a former girlfriend he is unable to forget…
备注:HD中字
类型:电影
主演:萨姆·德·格拉斯,Francelia,Billington,埃里克·冯·施特罗海姆,Fay,Holderness,Richard,Cumming
导演:埃里克·冯·施特罗海姆
地区:美国
年代:1919
简介:Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.